GONOM Train journeys from the driver's seat

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Stockholm

Stockholm Metro (Tunnelbana) · 3 lines · 100 stations

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Stations worth a stop

  • Green line (T17, T18, T19)Red line (T13, T14)Blue line (T10, T11)

    The hub of the network and the only station served by all three lines, linked by underground passages to Stockholm Central Station. On the blue line platforms the bedrock is painted with blue vines and leaves on a white ground, a work by Per Olof Ultvedt that pays tribute to the workers who built the station.

  • Blue line (T10, T11)

    The terminus of the blue line lies deep below the park of the same name, close to the Royal Swedish Opera and the waterfront facing the Royal Palace. Ulrik Samuelson decorated the station in red, green and white, adding sculptures and architectural fragments rescued from buildings demolished in the 1950s and 1960s.

  • Blue line (T10, T11)

    Named after the courthouse directly above it on Kungsholmen, the station was left with its bedrock exposed and unshaped, giving the platform the feel of a large cave. Stockholm City Hall on the shore of Riddarfjärden is a short walk to the south.

  • Blue line (T10, T11)

    The rock vault over the platform is painted a deep red above a long band of dark green spruce forest. The work by Anders Åberg and Karl-Olov Björk touches on environmental themes and the depopulation of the Swedish countryside.

  • Red line (T13, T14)

    Named after Stockholm Olympic Stadium, built for the 1912 Summer Olympics and a few minutes' walk away. Enno Hallek and Åke Pallarp painted the rough rock cavern sky blue and set a large rainbow across it.

  • Red line (T13, T14)

    The stop for KTH Royal Institute of Technology. Lennart Mörk's decoration deals with science and the laws of nature, with Newton's apple, the wings of Icarus, the five Platonic solids and a large dodecahedron hanging from the ceiling.

  • Red line (T13, T14)

    Serves the main campus of Stockholm University, and the Swedish Museum of Natural History is a short walk away. Françoise Schein's tiled walls combine Carl Linnaeus with the text of the Universal Declaration of Human Rights.

  • Red line (T13, T14)

    The central red line stop for Östermalm, close to the Östermalm food hall and the shops along Birger Jarlsgatan. The walls carry Siri Derkert's work on women's rights, peace and the environment.

  • Green line (T17, T18, T19)

    Under the market square of the same name, where the Stockholm Concert Hall, venue of the Nobel Prize award ceremony, faces the fruit and flower stalls. Inside, 103 white neon tubes by Gun Gordillo run along the platform ceiling.

  • Green line (T17, T18, T19)

    A stop on Sveavägen in Vasastan, near the Strindberg Museum in the Blue Tower, where August Strindberg spent his last years. Enamel works by Sture Valentin Nilsson at the southern entrance tell the story of the writer's life.

  • Green line (T17, T18, T19)

    A busy junction in Vasastan where the green line meets the commuter rail City Line, which opened its station here in 2017. The Stockholm Public Library, Gunnar Asplund's building with a round central hall, is a walk of a few minutes along Odengatan.

  • Green line (T17, T18, T19)Red line (T13, T14)

    The station for the old town is one of the few central stations at ground level, with trains running in the open along the western edge of the island. Göran Dahl's decoration draws on medieval weaving patterns. The Royal Palace and Stortorget square are a short walk uphill through narrow lanes.

  • Green line (T17, T18, T19)Red line (T13, T14)

    The junction between Gamla stan and Södermalm, where the red and green lines meet across the platforms and a bus terminal serves Nacka and Värmdö. The area around the station has been under reconstruction for years, and Fotografiska, the photography museum on the Stadsgården quay, is a walk of about ten minutes to the east.

  • Green line (T17, T18, T19)

    Under the large square of the same name on Södermalm, lined with cafés and restaurants and often used for outdoor events. The colour scheme of the station is by Gunnar Söderström, and Mari Pårup made the wall decoration and floor mosaic in the southern ticket hall.

  • Red line (T13, T14)

    A quieter stop on Södermalm beside a small park square. A few minutes' walk north, the Monteliusvägen path runs along the cliff edge with wide views over Riddarfjärden to City Hall and Gamla stan.

  • Red line (T13, T14)

    The point where the red line splits into its branches towards Norsborg and Fruängen, and an interchange with the Tvärbanan light rail. The district around it has grown into a dense area of new apartments and a shopping centre.

  • Green line (T17, T18, T19)

    The station is right next to Skogskyrkogården, the Woodland Cemetery designed by Gunnar Asplund and Sigurd Lewerentz and listed as a UNESCO World Heritage Site. Paths lead from the gate through pine woods to the chapels and the open hill of the meditation grove.

  • Green line (T17, T18, T19)

    The stop for the Avicii Arena, the large white sphere formerly known as the Globe, and the neighbouring Hovet arena. Under current plans the station will be replaced around 2030 by a new underground station, Slakthusområdet, on the extended blue line.

  • Green line (T17, T18, T19)

    A transfer point where the green line divides: trains for Hagsätra turn off here, while those for Farsta strand and Skarpnäck continue together to Skärmarbrink. The Tvärbanan light rail and a large bus terminal connect at the same station.

  • Blue line (T10, T11)

    The centre of Kista Science City, a district of technology companies where Ericsson moved its headquarters in 2003. The Kista Galleria shopping centre is next to the station.

  • Blue line (T10, T11)

    A station in the suburb of Tensta, on the blue line towards Hjulsta. Its walls carry words and phrases in the many languages spoken in the area, and Tensta Konsthall, a contemporary art space, is a few minutes away.

  • Blue line (T10, T11)

    The platform walls carry a long timeline by Madeleine Dranger and Rolf Reimers, setting out events in world history from around 3000 BCE to the 1980s. Reading it from one end of the platform to the other is a slow walk through five thousand years.

  • Blue line (T10, T11)

    Elis Eriksson and Gösta Wallmark decorated the station with figures and scribbles meant to look like children's drawings, spread across the rough rock walls. The playful style makes it an easy station to recognise from the train.

  • Blue line (T10, T11)

    The northern terminus of the blue line, in a suburb built in the 1970s. Birgit Ståhl-Nyberg covered the ochre-coloured grotto with ceramic pictures of everyday life, work and leisure.

  • Blue line (T10, T11)

    The station where the blue line separates into its branches towards Hjulsta and Akalla. It lies about 40 metres underground and is reached by one of the longest escalators in western Europe, 66 metres long.

  • Blue line (T10, T11)

    A small station on the Hjulsta branch, named after the office and residential area along the Solna shoreline. Takashi Naraha's decoration from 1985, The Heaven of Cube, is built around repeated cube forms.

  • Green line (T17, T18, T19)

    The terminus of the Skarpnäck branch of the green line, opened in 1994 as the most recent addition to the network. The American artist Richard Nonas placed seventeen granite benches along the platform, set against red walls and a red clinker floor.

  • Red line (T13, T14)

    The eastern terminus of the red line, raised above the street near the water at the edge of the city. The Lidingöbanan tram to the island of Lidingö starts here, along with buses across the bridge.

  • Red line (T13, T14)

    Built mainly to serve the headquarters and main factory of Ericsson, which moved its head office to Kista in 2003. The former industrial buildings are now home to Konstfack, the University of Arts, Crafts and Design.

  • Green line (T17, T18, T19)

    Vällingby Centrum, opened in the 1950s, was planned as a model suburb where housing, work and shops are grouped around the metro station. Concrete trees by Casimir Djuric stand on the platforms.

  • Green line (T17, T18, T19)

    The western terminus of the green line, close to the shore of Lake Mälaren. The station has Teleportings, a tile mosaic by Christian Partos from 2000.

  • Green line (T17, T18, T19)

    A bus and shopping hub for the Bromma district on the western section of the green line. Peter Svedberg's work in glass, steel and aluminium tells the history of aviation and of nearby Bromma Airport.

  • Red line (T13, T14)

    An outdoor station on the Norsborg branch of the red line, in Botkyrka. A bronze copy of Carl Fredrik Reuterswärd's Non-Violence, the revolver with a knotted barrel, stands here, and Eva Rosengren made two light sculptures under the entrance canopy.

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